But, sometimes, that difference can be tenfold, where some large telephotos have an MFOD of 3 or more feet. In this case, 7.3 inches versus 12 inches. Typically, shorter focal lengths like the 60mm f/2.8G lens offer shorter MFODs than longer lenses like the 105mm f/2.8G. And we measure this from the front-most element to the subject itself. MFOD is what ultimately determines the working distance you have to the subject. You’ll also want to consider the lens’s minimum focus distance (MFOD), which measures how close the lens can focus on a subject. And without it, you won’t capture the type of images you’re likely after. But most of them won’t have this particular ratio. There are plenty of options that advertise their “macro capabilities,” particularly zoom lenses. So it’s important to check this specification if you want a genuine macro lens. Instead, they only produce close-up images at half the size or smaller, which inevitably lack the same level of fine detail. Smaller ratios like 1:2 or 1:4 render subjects at smaller increments, and they don’t produce the same effect unique to this medium. With a 1:1 ratio, you’ll capture images with a life-size reproduction across the camera’s sensor. You can find this information on Nikon’s specifications tab under “Maximum Reproduction Ratio”. But, it’s essential to look for options offering a proper 1:1 ratio, also written as 1.0x. Over your search, you’ll find that many of these devices offer varying ratios. This ratio represents the difference between the subject’s size and the size of the camera’s sensor. The first major consideration with these types of lenses is the lens ratio or the focal magnification. Nikon Macro Lens Buyers Guide: Lens Ratio & Focal Magnification But overall, the 40mm f/2.8G is an excellent option for beginner photographers wanting something lightweight, versatile, and affordable. So it’s best for capturing still life subjects, like, food, products, or flowers. The only potential downside though is the working distance, which means you’ll have to get quite close to the subject and use artificial lighting or technique. But, unlike a 35mm, here you get a true 1:1 magnification ratio for a life-sized rendering of even the smallest subjects. And at 40mm, it’s a surprisingly capable traveling option. But, crucially, this lens is dangerously close in focal length to 35mm, the ideal walk-around prime lens for everyday photography. So shooting handheld shouldn’t be a problem. It’s ultra-lightweight and a third the weight of many lenses in this category. As a more budget lens, it does lack optical stabilization. ![]() Internally, it houses 9 elements arranged into 7 groups, including Nikon’s Super Integrated Coating to reduce ghosting and their Silent Wave Motor system for quiet focusing. This lens features a 7-blade diaphragm, a 52mm filter, weighs 235g, and focuses at 6.4 in (0.16 m). And it’s also the most affordable option too. Nikon’s 40mm f/2.8G lens is the ideal starter option for DX-format cameras. And we’ve also included an FAQ and detailed guide below, outlining the factors to consider beforehand. With that, in today’s post, we’ll cover the best macro lenses for Nikon. ![]() And they also have some compelling third-party developers too. Thankfully Nikon offers a wealth of first-party options, which they call Micro-NIKKOR, ready to tackle this medium. ![]() And this is one of the key separators of this style of photography. Do you need flash for macro photography?Īnd it’s a stark difference to a traditional lens, which often makes subjects look a fifth their actual size.What is the best aperture for macro photography?.What is the best focal length for macro photography?.Can I use a zoom lens for macro photography?.Can I use any lens for macro photography?.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |